11/12/2022 0 Comments Sheila gish![]() I was probably the only 80-odd-year-old that could climb it, so I got the part and it was amazing to be up there. "I did a wonderful movie, Edie, which will hopefully be released this year, about a woman who climbs a mountain in Scotland. You are 84 next month, what keeps you so enthusiastic about your work? "Oh when I get a part now, my kids say, ‘Do you go senile or die in it?!’ But I’ve got to the stage where I don’t have to obey any rules and I only do things that’ll be nice, like Endeavour, or where I’m in new territory. When John died, he was distraught, but he still managed to be a great support to me.” He is involved in a charity of mine and he is also deeply involved with my family and we go and see his daughter, who is an opera singer, in shows. But he’d like the fact that so much has come out of Morse, with both Lewis and Endeavour, and that it has given work to actors because he was a working actor himself."Īre you still in touch with Kevin Whateley, who played Morse’s sidekick Lewis? “I love Kevin. Was John anything like Inspector Morse and would he have been proud that the character has endured? “John certainly wasn’t like Morse, he was slightly more like his character Jack Regan from The Sweeney, a more aggressive, sardonic person. John Thaw and Dennis Waterman in The Sweeney (Stockroll/REX/Shutterstock) The character has a profound effect on people because he is a flawed, but honourable man.” It’s well shot, well cast and well written and John would be proud that those values are maintained.”ĭo people still like to chat to you about John? “Although I’m glad to have shaken off the ‘tragic widow’ role, people still come up to me to talk about John and say, ‘I love Morse’. Anybody appearing on a Morse knew that the scripts and the directors would be good and the same is true of Endeavour. John demanded the highest standards on the show though. Were you a fan of Inspector Morse? “Yes, but I never understood the Morses when I watched them with John! I’d say, ‘Who’s that?’ and ‘Who did what?’ I’m not good at following plot. #Sheila gish full#He has done a wonderful job creating what Morse might have been like when he was young and I’m full of admiration.” What was it like working with Shaun Evans? “He takes it incredibly seriously and he was anxious about whether I thought he was doing it well, which I do. Also, my stepdaughter Abigail is terrific in Endeavour and Roger Allam is an old friend from when we were at the Royal Shakespeare Company, so it was nice to be around mates.” #Sheila gish series#I like what they’ve done with Endeavour, the episodes have depth to them, and before the series first aired, they sweetly asked me how I’d feel about them making it. Why were you keen to appear in Endeavour? “I’ve always avoided things like this because John and I kept our careers separate and that was his world, but when the writers contacted me, I felt it was wonderful. I don’t know how serious tarot cards are, although I was instructed by a woman that does the cards for real.” She is also known for her appearance as Rachel Ellenstein in the 1986 film Highlander and its 2000 sequel Highlander: Endgame.She seems to strike up a bond with Endeavour… “Yes, Dowsable is honest with him, she sympathises that his love life is a mess and she touches on something about him that other people aren’t interested in. Gish occasionally appeared in films, her most notable performances being in A Day in the Death of Joe Egg (1972), Hitler: The Last Ten Days (1973), the Merchant-Ivory film Quartet (1981), Merisairas (1996), and as Mrs Norris in Jane Austen's Mansfield Park (1999). She also appeared in an episode of The Sweeney in 1975 as June Boyse, a villain's wife. Gish also appeared in many television dramas, from The First Churchills (in which she played Mary of Modena) to the successful adaptation of Love in a Cold Climate (2001) in which she played the eccentric and outrageous Lady Montdore. One of her last stage roles was as Arkadina in the Chichester Festival Theatre's production of The Seagull in 2003. In 1999 she played Miss Venable in Tennessee Williams's Suddenly Last Summer, directed by Sean Mathias with Rachel Weisz at the Comedy Theatre, London. Gish received the Olivier Award for Best Supporting Role in a Musical for her performance. In 1996, Gish played the role of Joanne in Stephen Sondheim's Company at the Donmar Warehouse directed by Sam Mendes. She continued to be best known for her stage work. Her first starring role in the West End was as Bella in Robert and Elizabeth. ![]()
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